Tracks Abyss

The COMPLETE TRACKS BOX SET.

All episodes of all 5 series of TRACKS are now available here:

Series 1 – Tracks ORIGIN (9 x45 mins)

Series 2 – Tracks STRATA (6 x 15 mins)

Series 3 – Tracks CHIMERA (9 x 45 mins)

Series 4 – Tracks INDIGO (10 x 15 mins)

Series 5 – Tracks ABYSS (9 x 45 mins)

All episodes available on iTunes, Spotify, and BBC Sounds.

(and probably elsewhere too.)

WRITER’S NOTE:

40+ episodes. More than 24 hours of drama.

Now the full series has been been broadcast, here are a few THANKS.

The main Producer/Director on TRACKS is James Robinson. (James and I have worked together on this series for over 6 years. There’s no better creative collaborator.)

The main Sound Designer throughout has been the amazing Nigel Lewis of BBC Wales in Cardiff. (He was given the Best Use of Sound award at the Audio Drama Awards for his work on Tracks Series 1.)

Our sound engineer has been the terrific Cathy Robinson of BBC Wales in Cardiff.

The production team in Cardiff, Eleri, Lindsay, Willa have been supportive, good humoured, and brilliant throughout.

Our leading actors have been extraordinary and a dream to work with: Romola Garai, Fiona O’shaughnessy, Hattie Morahan, and Olivia Poulet.

And, of course, our Freddy – Jonathan Forbes. (A force of energy, and creativity every step of the way.)

We’ve also had an incredibly strong guest and support cast- too many to mention.

We’ve had other writers on some episodes in series 3 and 5 – who have all embraced the show and done amazing work – Lucy Catherine, Caroline Horton, Timothy X Atack, Matt Hartley, and Katherine Chandler.

And a number of Directors on episodes in series 3 and 5:

John Norton, Rebecca Lloyd Evans, Carl Prekopp.

And Helen Perry, and Abigail Le Fleming in Series 1 who both helped set up the show.

Thanks also to the commissioners Alison Hindell, and Jeremy Howe (who took the punt on Tracks in the first place.) Without them it wouldn’t have happened.

In the top menu there’s a link to some Q&As I did after Series 1 aired. If there are more questions I’ll add to this list as and when.

Finally – thanks for listening! Especially those of you who have stuck with us throughout. Your engagement has meant so much. MB

Trailer for Episode 9

PRESS FOR SERIES 5 – TRACKS ABYSS:

Radio Times
Total TV Magazine
The Guardian
The Times
Express
The Observer

Observer Review – 8th November 2020

INTERVIEW: An interview with Matthew Broughton for Sci-fi Bulletin.

TRACKS ABYSS has been shortlisted in “The Creativity Award” category at the British Podcast Awards 2021.

A Fortunate Man by John Berger

I’ve adapted John Berger’s book A FORTUNATE MAN for BBC Radio 4.

It was broadcast on R4 Saturday 27th June 2020 at 3pm.

It’s now available on BBC SOUNDS for a month.

It’s a book I’ve known and loved for many years.

In the 1960s writer John Berger was living in the Forest of Dean, and became friends with his extraordinary local GP John Eskell in the village of St Briavels.  Interested in this talented and complex man, Berger asked the doctor if he could shadow him for some weeks to observe his working methods and his relationships with his patients in the forest.

Along with photographer Jean Mohr, Berger turned this experience into a remarkable book – A FORTUNATE MAN.  It describes many patient case studies, asks how we value human life, and meditates on the role of the doctor in society.  (To protect Eskell’s identity, Berger changed his name in the book to John Sassall.)

For me it’s a fascinating, intelligent, and challenging book. It’s filled with poetry, unsentimental emotion, and is ultimately extremely moving.

While the book was published in 1967, it feels modern, relevant and resonant to the world now (and particularly this country and the NHS.)

The last sections could have been written this year.

“There are such things as national crises of such an order that they test all those who live through them. There are moments of truth in which, not everything, but a great deal is revealed about individuals, classes, institutions, leaders…”

(From A FORTUNATE MAN – JOHN BERGER.)

Set in the Forest and  the somewhat isolated Forester community – it speaks directly to today.

And there is a bitter twist to the ending.

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Although I can’t claim I knew John Berger, I did meet him on a few occasions while working with the Theatre Company ‘Complicite’ in the early 2000s.  (While adapting Torgny Lindgren’s novel ‘LIGHT’ with the company.)   He was a great observer, listener, and thinker – often surprising and passionate, always insightful.  (His death 3 years ago was a great loss.)

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A FORTUNATE MAN the AUDIO DRAMA:

My radio adaptation of A Fortunate Man – is an hour long.

(It was written and recorded under lock down conditions in March/April.)

It’s produced/directed by John Norton.

Sound designed by Nigel Lewis.

Cast:

Adrian Scarborough

Peter Marinker

Barbara Flynn

Joe Sims

Carys Eleri

Scarlett Courtney

And the voices of Dorothy Burley, Kevin and Karen Wellham, Anne Childs and Robin Harris, recorded by the Reading the Forest project.

(The latter are real village voices recorded in recent years as they remember their Dr. Eskell.)

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PRESS:

radio times review

Radio Times (27th June-3rd July)

guardian

Guardian (27/6/20)

The Times

Orson Welles in Norwich – Urban Myths

Now available on Sky on demand and NOW TV.

TX- 28th October 2020 (Sky Arts –  Freeview Ch 11)

I’ve written an episode of Urban Myths (Series 4) for SKY ARTS.

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Robbie Coltrane as Orson Welles

It’s about the time Orson Welles presented “Great Mysteries” for Anglia TV in the early 1970s.

Orson was working on his experimental film “F for Fake” in Europe, but was out of money and doing what he could to raise funds – commercials, presenting jobs…  This brought him to Norwich.

Orson Welles in Norwich is a comedy drama – it stars Robbie Coltrane as Orson Welles, and co-stars Saoirse Monica Jackson (Derry Girls) Sean Biggerstaff (Harry Potter) Alice McMillan, Apphia Campbell, and Craig Ferguson.

Directed by Richard Curson Smith

Producer- Jeremy Campbell

Orson Welles In Norwich is made by Absinthe Entertainment.

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Robbie as Orson

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Press:

Norwich News

Saoirse Monica Jackson as Janet Spring
TV Choice Magazine
Total TV Magazine
Radio Times
TV times
TV Times Interview
Sunday Times
Mail on Sunday

METRO INTERVIEW with Saoirse Monica Jackson

THE TIMES INTERVIEW with Robbie Coltrane

TRACKS: Strata

TRACKS STRATA  is Series 2 of Tracks

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Tracks: Strata is a prequel to the first series, and is set in 1980 in the mountains of Snowdonia.

It stars Fiona O’Shaughnessy (Utopia), Kai Owen (Torchwood) and Robert Pugh (Game Of Thrones).

Told over six 15-minute episodes, the drama is an online-first commission for Radio 4. It will be serialised as a podcast online before being broadcast on air as two 45-minute Afternoon Dramas.

TRACKS – Series 1:

Series 1 episodes start here.

TRACKS STRATA (Tracks Series 2):

Episode 1 – Ordovician

Episode 2 – Archean

Episode 3 – Devonian

Episode 4 – Pleistocene

Episode 5 – Holocene

Episode 6 – Anthropocene

Tracks: Strata will be broadcast as an omnibus on BBC Radio 4  – 7 & 8 December at 2.15pm.

Omnibus – TRACKS STRATA:

Part One

Part Two

All Episodes of Series 1 and 2 are now available on AUDIBLE or AMAZON.

Cast:
Rachel…. Fiona O’Shaughnessy
Ifan…. Kai Owen
Sam…. Robert Pugh
Afa…. Betsan Llwyd
Charlotte…. Shelly Rees
Ronny…. Dafydd Emyr

Directed by James Robinson
A BBC Cymru Wales Production

13/11/17 – Tracks Strata was reviewed on Front Row – BBC Radio 4.  (Roughly the last ten minutes of the programme.)

10/12/17 – Tracks Strata was Sheila McClennon’s BBC Radio 4 ‘Pick of the Week.’  (It appears as the second item in the programme.)

LINKS:

Tracks Strata – Trailer

Tracks Strata – Guardian Preview

Podcast Home Page

TRACKS BBC HOME PAGE

Tracks – Series 1 blog

*****Slightly Spoiler-ish*****

(Don’t read if you’d rather not hear anything about the story before you listen to it.)

This (below) is from the BBC publicity:

“Snowdonia, 1980. It’s the dawn of a new decade and the future is coming. But in the wilds of Snowdonia, the ancient history of the landscape is hard to escape.

Rachel Turner is looking for fossils with her four year-old son, Joe. But when a freak earthquake shakes the land beneath their feet, Joe vanishes. With the help of two locals, Rachel embarks on a desperate search to find her son. But as darkness descends, the secrets hidden in the ancient forests of the mountain are uncovered.

The first series of Tracks became the most successful drama series launched by Radio 4 in 2016. Over nine 45-minute episodes it told the story of Dr Helen Ash, as she uncovered a dark medical conspiracy.

Tracks: Strata is a prequel to series one, set 36 years before the events that rocked the life of Helen Ash. It explores the roots of a conspiracy that’s set to envelop the world.”

 

 

 

Tracks Strata is nominated for a BBC AUDIO DRAMA AWARD

Tracks

TRACKS is a 9-part conspiracy thriller with a cast led by Romola Garai.

It was Originally broadcast on BBC Radio 4  (August-October 2016.)

Series 1 is available to download as a Podcast and on the BBC Iplayer 

Series 2 of Tracks – “TRACKS: Strata” – is now available – Info and blog post

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(9 Episodes x 45 mins)        Trailer

Series 1 – EPISODES 1-9

Episode 1 – The Nervus Vagus – is  Here

Episode 2 – The Broca and Wernicke Areas – is Here

Episode 3 – The Pineal Gland – is Here

Episode 4 – The Bridge of Varolius – is Here

Episode 5 – Hippocampus – is Here

Episode 6 – Nociceptors – is Here

Episode 7 – The Accumbens Nucleus – is Here

Episode 8 – Amygdala- is Here

Episode 9 – Habenula – is Here

(Archive: Here’s a STATEMENT by R4 about the broadcast of the last episode of Tracks)

All Episodes from Series 1 and 2 are now available on AUDIBLE or AMAZON

PRESS/REVIEWS/MEDIA

Review of Episode 1 in  The Guardian

Review of Episode 1 in The Spectator

TRACKS Ep 6 was a R4 – “Pick of Week” – (18/9/16)  – Chosen by Hardeep Singh Kohli.

TRACKS Producer, James Robinson was interviewed on Radio 4  Friday  30/10/16 –  discussing audience FEEDBACK

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TRACKS –  DIRECTORS / PRODUCERS:

Episodes 1,2,5,8,9 – James Robinson @mcgrin

Episodes 3,4,6 – Helen Perry @bellaperry

Episode 7 – Abigail Le Fleming @haywarddollerton

Supervising Sound Designer – Nigel Lewis

SOME MUSIC USED IN THE SERIES:

Tracks theme – (written for the series) by Stu Barker.

Studio Suicide, 1980 – By Tim Hecker.

Prungen – By Jaga Jazzist.

Dido’s Lament (Dido & Aeneas) – Andreas Scholl, William Orbit, & Rico Conning.

Some Absolute End – Bill Ryder-Jones.

A1 – Olafur Arnalds & Nils Frahm.

I’ll See You In My Dreams – Johnny Mercer (featuring the Pied Pipers.)

Symphony Number 4 in G major: III. Ruhevoll, Poco Adagio – Mahler

Body Eraser – Halls.

Cancer – I Break horses

Other News:

(12/11/16): An interview with James Robinson (including audio) detailing some of the process of How We Made Tracks

Tracks short-listed for a British Podcast Award

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Tracks short-listed for some BBC Audio Drama Awards

Tracks short-listed for a Prix Europa Award

A Tracks Q&A can be found on the menu above – beware it contains spoilers.

Readers/Listeners comments for Tracks are  here under the Tracks post,  under the Contact page, and under the Tracks Q&A page.

Demon Brother repeat on R4

Update: Demon Brother is now available on Audible

Demon Brother will be repeated on BBC Radio 4 on Monday and Tuesday of next week.  (1st & 2nd February 2016)

I previously blogged about this 2-part thriller here

Both Parts are now available for download as  Drama of the Week

 

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Critical – Series 1, Episode 4

I wrote the episode of Jed Mercurio’s trauma medicine drama Critical that’s due to air on Sky One next Tuesday (17th March) at 9pm.

It’s Episode 4 in the series of 13

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The script, shoot, and editing process were supported by a large team of medical advisers all currently working at the highest level in trauma centres around the country. Each draft of the script was scrutinized by six or seven experts from the departments relevant to the medical staff involved in the story.

Holby City – Love Divided By Three – (Series 17 Episode 18)

Next Tuesday (February 10th) the episode of Holby City is one of mine.

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See preview here

White Noise (Rpt)

The BBC are repeating WHITE NOISE next week on Wednesday 24th September – R4 at 2.15pm. I have previously blogged on this play HERE.

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This play was written in the weeks leading up to the London Olympics in 2012 – it was a part of the ‘Rapid Response’ strand of radio dramas – a direct response to current stories in the news.

As well as the imminent Olympics, and ongoing austerity – the play was also written at the same time the digital switchover was happening, and reflects the uncertainty of all these events on the residents of one family in Dagenham.

(It seems quite surprising now that we didn’t know whether the Olympics would be a success. But that brilliant opening ceremony was quite a surprise, and relief, at the time.)

White Noise was first broadcast before the Olympics began – so it’ll be interesting to see if it gains or loses anything by now being placed into historical context.

The story is fairly simple – centering on 18 year old FREDDY, 40 something DANNY, and the more mature KATH.

As the Olympics loom young Freddie wants to be an Artist but has no artistic talent. His father Danny, a mechanic, loses his job, discovers his local pub has been taken over, and has an identity crisis. Their mum/nan Kath, an agoraphobic, goes on a necessary fearful walk through the park…

The chimeric day of the opening ceremony provides a day of reckoning for all three…

The play was written very quickly – but came from the heart.

It features the redoubtable acting talents of Ricci Harnett, Louise Jameson, Theo Barklem-Biggs, Ayesha Antoine, and Matthew Gravelle. James Robinson directs/produces.

 

Burning Both Ends – when Oliver Reed met Keith Moon (Radio 4 Repeat)

Burning Both Ends is being repeated on BBC Radio 4 on Tuesday (24th June 2014.)

Details here

It’ll be available on the Iplayer for a week after that.

I have blogged on this play previously here

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